Wednesday, October 28, 2009

Autumn in New York

The Metropolitan Museum of Art for The NY Times Metro section.




An idealized vision of the opera printed in The Wall Street Journal.



The Guggenheim sans the Wrong addition, I chose not to see it.


Autumn at Fallingwater in Pennsylvania. OK, not NY but close enough. Thank you Frank Lloyd Wright.

Tuesday, October 20, 2009

Drawing Rooms


Italian villa interior for House Beautiful.


above: The Wall Street Journal;  NYC interior for The New York Times.



My room with a view in Venice.

Saturday, October 17, 2009

Feast for the Eyes

Baroque buffet



Girl drinks

Come and get it.


Just peas

Yes, these are all my creations. The peas were rendered in watercolor as opposed to gouache, hence the difference in style. The weight-challenged mom, grilling her baby a hot dog poolside is in no way recommended as a dietary guideline.

Friday, October 16, 2009

How to Read a Client


One of many illustrations for Dylan Landis' series of interior design books.
Over the years I have successfully translated many an art director's and writer's words into images. Occasionally one stumbles upon an inarticulate boob with a vague concept envisioned only in their  mind's eye which they cannot convey, resulting in revision after revision...
I refer to these assignments as "boob jobs", overworked messes that please only the art directing boob, "No, please, don't credit my illustration in your theater magazine, just send the check." Be aware that smaller magazines often harbor "art" director's with enormous egos who demand the world for a pittance.
By way of giving hope to anyone foolish enough to consider illustrating as a career and simultaneously breaking one's parents hearts, I hereby give you Dylan Landis.
Dylan hired me to illustrate four of her home design books, she possesses the ability to articulate exactly what she wants and allows for a reasonable time frame. She did not blink an eye when my freakishly tiny black cat, Baby Samona, jumped up on the desk to sprawl all over the drawings we were reviewing, nor did she question the fact that my cat had no tail. Most people, mistaking Baby Samona for some sort of rodent recoiled in horror and shrieked "What is that?" but Dylan took my rescued runt in gracious stride and I knew then she was good people.
Her facility for the written word and appreciation of the bizarre has led to a work of fiction, Real People Don't Live Like This. I was recently made aware of this fact while perusing Vanity Fair, Dylan was noted in the "Hot Type" column by Elissa Schappell who says "The characters ...are blessedly extraordinary".
Indeed they are, but I am particularly fascinated by the mother who secretly rents a welfare hotel room that she obsessively decorates. Always write about what you know, Dylan has, mother/daughter relationships, and decorating. The novel is quirky, darkly humorous and contains a few decorating hints for the deranged.
Her vivid work of fiction obviously did not require my illustrations, she paints such haunting images with her words.

 

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